11-19-06 Latest News

Peter Jackson and Fran Walsh Talk THE HOBBIT

Dear One Ringers,

As you know, there's been a lot of speculation about The Hobbit. We are often asked about when or if this film will ever be made. We have always responded that we would be very interested in making the film - if it were offered to us to make.

You may also be aware that Wingnut Films has bought a lawsuit against New Line, which resulted from an audit we undertook on part of the income of The Fellowship of the Ring. Our attitude with the lawsuit has always been that since it's largely based on differences of opinion about certain accounting practices, we would like an independent body - whether it be a judge, a jury, or a mediator, to look at the issues and make an unbiased ruling. We are happy to accept whatever that ruling is. In our minds, it's not much more complex than that and that's exactly why film contracts include right-to-audit clauses.

However, we have always said that we do not want to discuss The Hobbit with New Line until the lawsuit over New Line's accounting practices is resolved. This is simple common sense - you cannot be in a relationship with a film studio, making a complex, expensive movie and dealing with all the pressures and responsibilities that come with the job, while an unresolved lawsuit exists.

We have also said that we do not want to tie settlement of the lawsuit to making a film of The Hobbit. In other words, we would have to agree to make The Hobbit as a condition of New Line settling our lawsuit. In our minds this is not the right reason to make a film and if a film of The Hobbit went ahead on this basis, it would be doomed. Deciding to make a movie should come from the heart - it's not a matter of business convenience. When you agree to make a film, you're taking on a massive commitment and you need to be driven by an absolute passion to want to get the story on screen. It's that passion, and passion alone, that gives the movie its imagination and heart. To us it is not a cold-blooded business decision.

A couple of months ago there was a flurry of Hobbit news in the media. MGM, who own a portion of the film rights in The Hobbit, publicly stated they wanted to make the film with us. It was a little weird at the time because nobody from New Line had ever spoken to us about making a film of The Hobbit and the media had some fun with that. Within a week or two of those stories, our Manager Ken Kamins got a call from the co-president of New Line Cinema, Michael Lynne, who in essence told Ken that the way to settle the lawsuit was to get a commitment from us to make the Hobbit, because “that's how these things are done”. Michael Lynne said we would stand to make much more money if we tied the lawsuit and the movie deal together and this may well be true, but it's still the worst reason in the world to agree to make a film.

Several years ago, Mark Ordesky told us that New Line have rights to make not just The Hobbit but a second “LOTR prequel”, covering the events leading up to those depicted in LOTR. Since then, we've always assumed that we would be asked to make The Hobbit and possibly this second film, back to back, as we did the original movies. We assumed that our lawsuit with the studio would come to a natural conclusion and we would then be free to discuss our ideas with the studio, get excited and jump on board. We've assumed that we would possibly get started on development and design next year, whilst filming The Lovely Bones. We even had a meeting planned with MGM executives to talk through our schedule.

However last week, Mark Ordesky called Ken and told him that New Line would no longer be requiring our services on the Hobbit and the LOTR ‘prequel’. This was a courtesy call to let us know that the studio was now actively looking to hire another filmmaker for both projects.

Ordesky said that New Line has a limited time option on the film rights they have obtained from Saul Zaentz (this has never been conveyed to us before), and because we won't discuss making the movies until the lawsuit is resolved, the studio is going to have to hire another director.

Given that New Line are committed to this course of action, we felt at the very least, we owed you, the fans, a straightforward account of events as they have unfolded for us.

We have always had the greatest support from The Ringers and we are very sorry our involvement with The Hobbit has been ended in this way. Our journey into Tolkien's world started with a phone call from Ken Kamins to Harvey Weinstein in Nov 1995 and ended with a phone call from Mark Ordesky to Ken in Nov 2006. It has been a great 11 years.

This outcome is not what we anticipated or wanted, but neither do we see any positive value in bitterness and rancor. We now have no choice but to let the idea of a film of The Hobbit go and move forward with other projects.

We send our very best wishes to whomever has the privilege of making The Hobbit and look forward to seeing the film on the big screen.

Warmest regards to you all, and thanks for your incredible support over the years.

We got to go there - but not back again …

_________________________________________________


12-11-06 Latest News

Royd Tolkien Weighs in on THE HOBBIT!

I've had a bunch of people asking my opinion on the recent New Line / Peter Jackson / Hobbit news. These are my thoughts…

Before Peter made Lord Of The Rings all I knew of his work was that I really enjoyed his films. That all changed a few years ago. He's not only a filmmaker, he's someone that I now trust and respect.

Before the films were made I held massive reservations and fears that JRRT and LOTR would be used as merely a tool for producing revenue and would result ultimately in a substandard film. But it's different now, and it's different because of Peter.

3 weeks ago those feelings returned. Without him, The Hobbit will become what I had earlier feared LOTR was to become.

To find a new director after the time and dedication Peter and all his people put in would not just be wrong, it would also be a bad decision.

Now I know and understand that some purists would disagree with me, and whilst I again understand and agree with their right to have an opinion, just imagine how bad it could have been without Peter at the helm. Peter didn't just direct a film, he brought together a highly impressive team.

Think about the different elements of his team; first there was the thoughtfulness and professionalism of Richard Taylor and everyone at Weta who realised the complex detail needed to make it believable; secondly the way Howard Shore's beautiful music compliments and binds the film. In addition to this there is the wonderfully detailed concepts of Alan Lee and John Howe, both of whose insights helped craft the feel of the film. The fabulous costumes of Ngila Dickson, the photography and vision of Andrew Lesnie, and New Zealand, a country that lends itself perfectly to Middle Earth with its breathtaking and varied landscapes. All of these elements and many more were brought together by Peter.

How could a different director do what Peter has done? How would they find a similar team of people who have the knowledge, passion and understanding of a world they helped create?

Surely that doesn't make any sense when Peter already holds the key.
I do understand and agree with Peter's position, although I only know on the surface what must be a very difficult and frustrating decision for him.

I know it's not simply a matter of saying yes. There's a mountain of issues that lie between New Line and Peter, but there must be some way to resolve this.

I imagine there's been an awful lot of letters and conversations between both camps, heels have been dug in and hair pulled out. If only there was some way to sort out the stalemate between them and find that common ground and resolution which is needed to do justice to such an important book.

Whilst I don't know the inner relationship between New Line and Peter, what i do know is that they backed him, all those years ago, to produce LOTR. For that part and many more they played, I'm forever grateful.

When I saw the end result on screen, knowing that everyone had played a part in putting it there, and were all united in putting it there, it made me smile. I'm sorry but has everyone forgot those simple smiles? Isn't that what making films is all about?

If Peter hadn't made LOTR with the respect he showed to my Great Grandfather, I'd not have felt compelled to voice my opinion.

Hvað finnst ykkur, svo???

Heimildir:
http://www.theonering.net/staticnews/1163993546.html

http://www.theonering.net/perl/newsview/8/1165850624